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- Culture and Society – 1780-1950
Raymond Williams
Culture and Society – 1780-1950
En Anglais – Acknowledged as perhaps the masterpiece of materialist criticism in the English language, this omnibus ranges over British literary history from George Eliot to George Orwell to inquire about the complex ways economic reality shapes the imagination.
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Adam Runaway
En Anglais – « It is 1721 and young Adam Hanaway, devastated by his father’s sudden death, leaves England to seek his fortune in Lisbon, where his uncle is a successful merchant. But almost nothing turns out as Adam planned. His family’s welcome is cool, and Adam’s rise to the top is thwarted by Bartolomeu Gomes, his uncle’s treacherous clerk. » « As Adam attempts to overcome these obstacles he is handicapped by a certain personal trait. Not, he insists, that he is a coward exactly, but he is inclined to boldly put himself in dangerous situations and then at the last minute run away from them – hence the nickname given to him by friends who had observed this failing once too often. » « While Adam’s mother and sisters wait in England for him to rescue them from poverty, Adam is preoccupied with more compelling women: the beautiful, older half-Portuguese lady Maria Beatriz Hutchinson; the spoiled, rich Gabriella Lowther; and his charming young cousin Nancy. But Adam commits a social faux pas so severe he forever ruins his chances for making a good match – yet no one dares tell him what he has done wrong! » « Adam certainly has a lot to learn. …
The Golden Egg
En Anglais – In The Golden Egg, as the first leaves of autumn begin to fall, Vice Questore Patta asks Brunetti to look into a minor shop-keeping violation committed by the mayor's future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but he has little choice but to comply. Then Brunetti's wife, Paola, comes to him with a request of her own. The mentally handicapped man who worked at their dry cleaner has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him.Brunetti begins to investigate the death and is surprised when he finds nothing on the man: no birth certificate, no passport, no driver's license, no credit cards. As far as the Italian government is concerned, he never existed. Stranger still, the dead man's mother refuses to speak to the police, and assures Brunetti that her son's identification papers were stolen in a burglary.
Trainspotting
En italien – Un pugno di ragazzi a Edimburgo e dintorni: il sesso, lo sballo, la rabbia, il vuoto delle giornate. Sono i dannati di un modernissimo inferno « chimico », con la loro vita sfilacciata e senza scampo. Alla ricerca di un riscatto, di un senso da dare alla propria esistenza – che non sia il vicolo cieco fatto di casa, famiglia e impiego ordinario – trovano nella droga e nella violenza l’unica risposta possibile. Sboccato, indiavolato, travolgente: l’esordio di un talento letterario, il romanzo shock che ha fatto epoca e dato voce a una nuova generazione.
Dieu est né en exil – Journal d’Ovide à Tomes
Couverture reliée par l’éditeur – Le narrateur est un personnage historique : Ovide. On peut considérer que c’est un écrit apocryphe. Il couvre les derniers huit ans de sa vie, vécus à Tomis, ancienne colonie romaine au pays des Gètes. Le roman adopte la forme d’un journal intime, divisé en huit chapitres (chacun d’eux correspondant à un an d’exil) qui révèlent les étapes d’une « maturation » progressive, à savoir, une conversion. L’univers du roman s’articule autour d’un axe primordial dont les deux pôles sont la société de Rome d’une part, le monde des Daces d’autre part. Cette dichotomie est génératrice d’une riche gamme de métaphores, mais peut-être son attribut le plus important est la manière dont les deux mondes se construisent, et leur importance en tant que « chronotopes » dans l’économie du récit. Le périple spirituel d’Ovide se dénoue entre les deux univers-symboles, dont les caractères antagonistes s’entretissent au cours d’un chiasme pour resurgir à la fin de la narration radicalement métamorphosés.