Mary Higgins Clark
The lost years
Under the promise of secrecy, Jonathan attempts to confirm his findings with several other biblical experts. But on the eve before his own murder, he confides to Father Aiden O’Brien, a family friend, that one of those whom he trusted most is determined to keep it from being returned to the Vatican. The next evening Jonathan Lyons is found shot to death in his New Jersey home. His daughter, twenty-seven year old Mariah, finds her father’s body sprawled over his desk in his study, a fatal bullet wound in the back of his neck, and her mother, Kathleen, an Alzheimer’s victim, hiding in the study closet, incoherent and clutching the murder weapon. The police suspect that Kathleen, who in her lucid moments knows that Jonathan was involved with a much younger woman Lily Stewart, has committed the murder.
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We’ll meet again
The mistress of high tension” (The New Yorker) and undisputed Queen of Suspense Mary Higgins Clark brings us another New York Times bestselling novel that she “prepares so carefully and executes with such relish” (The New York Times Book Review) about the murder of a respected doctor—and his beautiful young wife charged with the crime. Dr. Gary Lasch, famous Greenwich, Connecticut doctor and founder of the HMO Remington Health Management, is found dead in his home, his skull crushed by a blow with a heavy bronze sculpture, and his wife, Molly, in bed covered with his blood. It was the Lasches’ housekeeper, Edna Barry, who made the grisly discovery the morning after Molly’s unexpectedly early return from Cape Cod, where she had gone to seclude herself upon learning of her husband’s infidelity. As the evidence against Molly grows, her lawyer plea-bargains a manslaughter charge to avoid a murder conviction.
Daddy’s gone A – hunting
What was Kate Connelly—a tall, glamorous CPA—doing in her family’s antique furniture museum when it exploded into flames in the middle of the night? Why was Gus, a disgruntled retired employee, with her? Now Gus is dead, and Kate lies in a coma, unable to explain the tragedy’s mysterious link to a decades-old missing persons case. Nor to warn her sister what could happen next. In a novel of dazzling suspense and excitement, Mary Higgins Clark once again demonstrates the mastery of her craft that has made her books international bestsellers for years. She presents the reader with a perplexing mystery, a puzzling question of identity, and a fascinating cast of characters—one of whom may just be a ruthless killer.
Souviens-toi
Menley et son mari Adam, brillant avocat new-yorkais, se sont installés pour l’été à Cap Cod, la station balnéaire chic, proche de Boston, avec leur petite fille. Une obsession pour eux : surmonter le traumatisme dû à la disparition accidentelle de leur premier bébé. Mais on ne parle à Cap Cod que de la mort d’une richissime jeune femme, et des soupçons de meurtre qui pèsent sur son mari, héritier de sa fortune. Dans le même temps, Menley a l’impression d’être environnée de menaces, dans la splendide demeure ancienne qu’ils ont louée, théâtre, deux siècles plus tôt, d’événements dramatiques… Et nous voici enfermés peu à peu, avec ce couple déjà si douloureusement éprouvé, dans un piège diabolique, comme sait seule les imaginer la romancière de La Nuit du renard (Grand Prix de littérature policière 1980) et de Nous n’irons plus au bois. De ce drame en un milieu hanté, lourd de crimes anciens et de rapines, Mary Higgins Clark, avec l’aide du diable qui aime les bons auteurs, tire un parti étonnant.
Le fantôme de Lady Margaret
Quel rapport peut-il y avoir entre les attentats qui ensanglantent Londres, visant la famille royale, et les recherches d’une jeune historienne sur la terrible Lady Margaret, décapitée au XVIIe siècle ? La vengeance, peut-être. Ou l’hypnose ? Le surnaturel, pour deux jumelles aux prises avec un psychopathe ; la passion meurtrière d’un jeune homme pour son ancien professeur ; amour, mort et loterie pour les deux amis de jour de chance : l’auteur de La Nuit du renard, grand prix de littérature policière, explore ici en cinq récits toute la gamme du suspense et de la terreur.