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Mary Higgins Clark
You don’t own me
When we last saw Laurie Moran, she had recently become engaged to her show’s former host, Alex Buckley. Since then, the two have been happily planning a summer wedding and honeymoon, preparing for Alex’s confirmation to a federal judicial appointment, and searching for the perfect New York City home for their new life together.
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As the sole assistant to a famous upscale interior designer, Lane Harmon is accustomed to visiting opulent homes. So her latest job at a modest New Jersey townhouse is unusual. Then she learns the home belongs to the wife of disgraced finance magnate Parker Bennett, who vanished two years earlier, along with the five billion dollar hedge fund he managed. The debate over whether Bennett was suicidal or staged his disappearance still continues. Both his clients and the federal government want to trace the money and find him. But Lane is surprisingly moved by Mrs. Bennett’s steadfast faith in her husband’s innocence. Gradually, Lane is also drawn to the Bennetts’ son, Mark, who is equally determined to prove his father is not guilty. What she doesn’t realize is the closer she gets to the notorious family, the more her life—and that of her five-year-old daughter—is in jeopardy.
Souviens-toi
Menley et son mari Adam, brillant avocat new-yorkais, se sont installés pour l’été à Cap Cod, la station balnéaire chic, proche de Boston, avec leur petite fille. Une obsession pour eux : surmonter le traumatisme dû à la disparition accidentelle de leur premier bébé. Mais on ne parle à Cap Cod que de la mort d’une richissime jeune femme, et des soupçons de meurtre qui pèsent sur son mari, héritier de sa fortune. Dans le même temps, Menley a l’impression d’être environnée de menaces, dans la splendide demeure ancienne qu’ils ont louée, théâtre, deux siècles plus tôt, d’événements dramatiques… Et nous voici enfermés peu à peu, avec ce couple déjà si douloureusement éprouvé, dans un piège diabolique, comme sait seule les imaginer la romancière de La Nuit du renard (Grand Prix de littérature policière 1980) et de Nous n’irons plus au bois. De ce drame en un milieu hanté, lourd de crimes anciens et de rapines, Mary Higgins Clark, avec l’aide du diable qui aime les bons auteurs, tire un parti étonnant.
I’ll walk alone
Two years after the day that her son, Matthew, was kidnapped in broad daylight in Central Park, Alexandra Moreland still finds herself torn between hope and despair. As no trace of Matthew was ever found, she has never been able to give him up for dead. But now, on what would have been Matthew’s fifth birthday, photos surface that seem to show Alexandra kidnapping her own child. Then, as her bank accounts are suddenly drained, and her reputation as a successful architect comes under immense pressure, Alexandra begins to suspect that someone is using her credit cards to steal her identity. But who would want to ruin her so completely? Hounded by the press, under investigation by the police, attacked by both her angry ex-husband and a vindictive business rival, Alexandra, sustained only by her belief that Matthew is still alive, sets out to discover who is behind this cruel hoax. Little does she realize that with every step she takes toward the truth, she is putting herself -and those she loves most – in mortal danger.
The shadow of your smile
At age eighty-two and in failing health, Olivia Morrow knows she has little time left. The last of her line, she faces a momentous choice: expose a long-held family secret, or take it with her to her grave. Olivia has in her possession letters from her deceased cousin Catherine, a nun, now being considered for beatification by the Catholic Church—the final step before sainthood. In her lifetime, Sister Catherine had founded seven hospitals for disabled children. Now the cure of a four-year-old boy dying of brain cancer is being attributed to her. After his case was pronounced medically hopeless, the boy’s desperate mother had organized a prayer crusade to Sister Catherine, leading to his miraculous recovery.

